“This was jazz at its finest—complex and virtuosic yet easily accessible, at times intense, at others fun-filled, and always with the feeling of the unknown that comes with truly spontaneous and inspired improvisation. While the music was steeped in the bop tradition, the musicians continually found new ways to utilize the idiom. Few locations other than New York could host a powerhouse gathering of musical heavyweights of this order, and one can only hope that the shows have been recorded for a future release.” — David Miller, All About Jazz
As one of the pioneers of jazz-rock — perhaps the pioneer in the ears of some – Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, phrasing and note-bending that owed as much to blues, rock and even country as it did to earlier, smoother bop influences. Yet as a true eclectic, armed with a brilliant technique, he is comfortable in almost every style, covering almost every base from the most decibel-heavy, distortion-laden electric work to the most delicate, soothing, intricate lines on acoustic guitar.